YEUNG Yang is an independent curator, writer and university lecturer. Her curation includesArt Responds to 14QK (2007), Burdening Representations – historical memory of China from Hong Kong (2009) and Around sound art festival & retreat 2009, 2010, 2013. Her recent publications include Hong Kong/China Photographers Series 7 – Alfred Ko (Hong Kong, 2012); “Putting sensitivity in place – artist Phoebe Hui” and “Divided Attention – artist Samson Young” in Hong Kong Artists, 20 Portraits (Eds. Cordelia and Christoph Noe, Hong Kong 2012); and “Art education in the university itself – a perspective from general education” in What Do Artists Know? (Ed. James Elkins, Chicago 2012). She is editor of Away from the Crowd – the art of Jaffa Lam (Hong Kong, 2013) and Pocket 2: say, Listen (Hong Kong, 2013). She founded soundpocket in 2008. (www.soundpocket.org.hk) She currently teaches classics at the Chinese University of Hong Kong. She was awarded the ACC Fellowship in 2013.
to Michael Wolf, who is now walking a different path, having given us so much we have looked past. (Yang Yeung)
《山洞記》林東鵬個展@Blindspot Gallery（阿三@Art Appraisal Club） 山洞，是個往內縮空間。林東鵬卻把它向外翻，拋出與中國山水景致若即若離的新人文畫空間。於木板上以炭枝洋洋灑灑一氣呵成完成畫面造像與心境的敘述，是他的拿手好戲。這與寫意筆法的傳統精神相通，也與寄情山水的為學之士的情操連接。而景致，不只於木板上的大小空間，它已延伸至展場、展場既有的大窗戶與窗外風景，及Blindspot展板間獨有的狹縫。同時，攝錄真實卻捉摸不到的流動影像，平白而素淡地回到林東鵬的胸中丘壑。影像與繪畫，巧妙地合而為一。繪畫、物件或錄像，成為相等的媒介。..
WMA Masters – a window into the current sensibility of the idea of Hong Kong as a place to dwell/ live: how, can, should, would – we? Many do,..