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Reports from Echigo-Tsumari Art Field, around #HKHouse – All the while mulling over HK artist #TangKwokHin saying, “Life (生活) needs a distance to be re-experienced at times, and art gives this distance.” Today @ #MatsudaiNohbutai (農舞台)，moved by works from past editions of the Triennale: #ShintaroTanaka’s dragonfly, #PascaleMarthineTayou’s Reverse City, also by new additions of #StJamesCreation (https://www.facebook.com/stjamescreation/) with a team setting up ceramic potato pots made by HK artists, and ongoing #SenseArtStudio_HongKongFarmers tending their fields and tending their thoughts. #LeungChiWo & #SaraWongChihang’s Tsunan Museum of the Lost is all set up – must save comments for later, but for now, noticing sources of light on a night nearing full moon: portraits lit up, and a kitchen light, perhaps, from a close neighbor. #HKArtPromotionOffice’s #HKHouse seems to want to model the work of #SenseArtStudio_HongKongFarmers of the past years – not just the Triennale, but what it does to the meaning of inhabiting a place. Will it succeed, and by what means does APO measure success? Meantime, tree bending in the summer to show the burden of heavy snow in winter. Meantime (2), cannot take my eyes off the pink and gold of sunset en route from #Tokamachi to #Morimiyahara. Have seen thi at home in HK, too! Looking ahead, staying present. (Yang Yeung)